
But her musical life began in Grapevine,Texas.It was during her time there that she began singing in church choirs and taking piano lessons,even trying out the alto saxophone.
Her earliest influences came from her mother's extensive LP collection and a Dallas oldies station.While listening to her mom's records,Jones fell in love with jazz by way of the Billie Holiday albums she'd play over and over again.
When she was 15,Jones moved to Dallas with her mother.
She became a student at the Booker T. Washington High School for the Performing and Visual Arts.Inspired by an Etta James recording of "I'll Be Seeing You,"she performed her version at age 16 in a local coffeehouse during open-mic night.It was her first solo gig.While in high school,she played with a jazz-rock band and earned her first awards:the 1996 Downbeat Student Music Awards for "Best Jazz Vocalist" and "Best Original Composition."She won the Downbeat SMA for "Best Jazz Vocalist" again in 1997,and she later majored in jazz piano at the University of North Texas.
Jones' musical life started taking off when she moved to Manhattan in 1999.
She intended to stay in the city for the summer,but found a musical life so rich and appealing that she decided to stay.Later that year, Jones began to appear regularly with a funk-fusion band called Wax Poetic.
By the fall of 2000,she had a group of her own, with which she recorded some demos for Blue Note Records.
Following a live showcase,she signed with the label in January 2001.
Jones first album, Come Away With Me, became a multiple Grammy winner and multi-platinum seller,and it opened the door for her to perform around the world with her band.
Her third album, Not Too Late,came in 2007 and featured 13 tunes that Jones either wrote or co-wrote.
She also recently made her acting debut in the film My Blueberry Nights and appeared on the soundtrack.
This program is Jones' second appearance on Marian McPartlands Piano Jazz.
It was recorded live at the 2003 Tanglewood Jazz festival with a record-setting audience on hand.
Set List
- "Mean to Me" (Alhert, Turk)
- "Lover Man" (Davis, Ramirez, Sherman)
- "Walking My Baby Back Home" (Alhert, Turk)
- "Spring Can Really Hang You Up the Most"(Landesman, Wolf)
- "Melancholia" (Ellington with Lyric by N. Jones)
- "Tenderly" (Gross, Lawrence)
- "Portrait of Norah Jones" (McPartland)
- "Summertime" (G. & I. Gershwin, Heyward)
- "Easy Livin'" (Rainger, Robin)
- "A Foggy Day in London Town" (G. & I Gershwin)
3 commentaires:
Superbe set !
Merci David,c'est tjrs bon de pouvoir partager des impressions.
En effet,je me suis pas mal régalé sur du bon Sound car la prise de Son est à la hauteur sympa sans prétention c'est Roots.Quiet;pas trop insipide.De plus Live inédite sortant ds sentiers battus&rebattus du correctement enregistré.Je dois reconnaitre que j'ai un peu de mal à écouter Norah Jones sur ses albums car ils sont "trop"formatés autant sur la longueur courte de ses"tubes"que sur la prod"studioimpeccable mais limite trop propre à mes oreilles.J'aime de moins en moins tout du moins en Jazz les albums studio;le Live en Jazz&Blues dépasse Tout.Pour des albums plus électros j'arrive mieux à apprécier les qualités de prod du studio:genre Beastie Boys,Buckshot lefonque en plus Funky,voir à une époque St Germain!
Ici,c'est agréable avec Marian McPartland comme Icone reprenant des Standards Jazz&Blues à la "baguette"c'est Top.De plus l'histoire de Norah Jones ses racines et je ne te cache son Charme tant la voix que la "bouille";je craque parfois pour ce charme.
Merci David branches-le sur ton ampli tu verras c'est doux avec du caractère néanmoins!
Exactement ce que je pense au sujet des albums de Norah. Mais là, elle rend vraiment hommage à la musique avec une simplicité et un talent incroyables. Et puis, elle est plus Blues que jamais, ce qui n'est pas pour lui ôter du charme à mes yeux...
Y a pas, jolie trouvaille que je passerai demain sur mon ensemble audio.
Merci.
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